Lane Twitchell

 
b. 11/17/67 in Salt Lake City, UT; lives and works in Brooklyn, NY

Education

1995 MFA, School of Visual Arts, New York, NY
1993 BFA, University of Utah, Salt Lake City, UT

Solo Exhibitions

2008 Leap With Me, Roebling Hall, New York, NY
2007 Revelation: Lane Twitchell drawing & painting, Schweinfurth Memorial Art Center, Auburn NY, travels to the University Art Museum, SUNY Albany, the Gibson Gallery, SUNY Potsdam,(catalogue)
2005 Here & There, Greenberg Van Doren Gallery, New York, NY
2004 American Paradigms: David Opdyke and Lane Twitchell, Corcoran Gallery of Art, Washington, D.C.
  Foursquare, G Fine Arts, Washington D.C.
2002 Private Property, Artemis Greenberg Van Doren Gallery, New York, NY
1999 State of the Union, Deitch Projects, New York, NY
1995 MFA Thesis Exhibition, Visual Arts Gallery, New York, NY
1993 Park Gallery, Salt Lake City, UT

Selected Group Exhibitions

2008 Cutting Fine, Cutting Deep: Cut Paper Works from Switzerland and North America, Sewanee The University of the South, Sewanee, TN,
2006 The Searchers, Whitebox, New York, NY, curated by Patrica Maloney
Redefined: Modern and Contemporary Art from the Collection., Corcoran Gallery of Art, Washington D.C. curated by Johnathan Binstock
Drawings III (selected), G-Module, Paris, FR
  Small Painting Show, organized by the General Store, Milwaukee, The Ulrich Museum, Wichita, KS
  Loveless (the shoegazer show), Team, New York, NY
I Love the Burbs, Katonah Museum of Art, Katonah, NY, curated by Eileen Keiter (catalogue)
2005 The Early Show, organized by the General Store, Milwaukee, White Columns, New York, NY
  One of a Kind, curated by Thomas Woodruff, New York Academy of Sciences, New York, NY
  Group Loop, curated by Christoph Cox, G Fine Art, Washington DC
2004 Beginning Here: 101 Ways, organized by Jerry Saltz, Visual Arts Gallery, School of Visual Arts, New York, NY
2003 Emerging 2003: ACRIA Benefit, Matthew Marks Gallery, New York, NY
  Perforations, McKenzie Fine Art, New York, NY
  Terrible Beauty, Satellite, a division of Roebling Hall, New York, NY
2002 The Nature of the Beast, Caren Golden Gallery, New York, NY
  Some Assemblage Required: Collage Culture in Post-War America, Everson Museum of Art, Syracuse, New York; Madison Art Center, Madison, WI; Polk Museum of Art, Lakeland, FL, curated by Thomas Piche (catalogue)
  Snapshot, Elizabeth Leach Gallery, Portland, OR
  Print Publisher's Spotlight: Solo Impression, Barbara Krakow Gallery, Boston, MA
  Past Tense: a contemporary dialogue, The Museum of Art, Brigham Young University, Provo, UT
  The Order of Things, Teachers Insurance and Annuity Association College Retirement Equities Fund, New York, NY
  The Norman Dubrow Biennial, Kagan Martos Gallery, New York, NY
  On Architectural Atmosphere, G Fine Art, Washington, D.C. curated by Christoph Cox
2001 It's a Party and We're Having a Great Time, Paul Morris Gallery, NY
  New Prints 2001 - Winter, International Print Center, NY
2000 Good Business is the Best Art: 20 Years in the Artist Marketplace Program, Bronx Museum of Art, New York, NY, curated by Lydia Yee (catalogue)
  Faith-The Impact of Judeo-Christian Religion on Art at the Millennium, Aldrich Museum of Contemporary Art, Ridgefield, CT, curated by Christian Eckart, Harry Philbrick, and Osvaldo Romberg (catalogue)
  Annual Benefit, Foundation for Contemporary Performance Arts, Matthew Marks Gallery, New York, NY
1999 1999, P.S.1 Contemporary Art Center, Long Island City, NY, curated by Tony Gurrero
  Cut Paper - Contemporary and Traditional, Elsa Mott Ives Gallery, New York, NY
1998 Scape, Artists Space, New York, NY, curated by Jenelle Porter
  Utopia, Roebling Hall, Brooklyn, NY
  Summer White, (two person), Steffany Martz Gallery, New York, NY
  Scale: Relatively Speaking, Art in General, New York, NY
  Take this Job and Shove it, Here, New York, NY
  Reading Between the Lines, Library Section, Rotunda Gallery, Brooklyn, NY
1997 17th Annual Artists in the Marketplace Exhibition, Bronx Museum, NY, curated by Lydia Yee
1994 MFA Exhibition, School of the Visual Arts, New York, NY
1992 Intercollegiate Exhibition, Salt Lake City, UT; first place drawing, Dave Hickey, juror

Writing

ongoing The Great Whatsit

Bibliography

2008 Karen Rosenberg, The New York Times,Art in Review, April 4
  Charlie Finch, "Betwitched" Artnet Magazine, March 19
 
2007 Toby Devan Lewis, ArtWorks: The Progressive Collection, Published by D.A.P./The Progressive Collection, p. 232
  Chris Bors, "Lane Twitchell's Mementos from Basquiat's Grave" Artinfo.com, November 13
  Arthur Whitman, "review of Revelation: Lane Twitchell, Drawing and Painting" Ithaca Times, September 27
  Thomas Piche Jr., "Making' Meanings in the Paintings of Lane Twitchell," Schweinfurth Memorial Art Center, exhibition catalogue,
  Merideth Mendelsohn, "Paper Pushers," Artnews, May,p. 146
 
2006 Emily Lodish, "A Closer Look at Lane Twitchell's Mountain Meadows Mysteries or the Evening Redness in the West," Unsaid, volume 2 number 1, p. 147
  Ruth Lopez, "Art of the Office Building," Time Out Chicago, January 5-12, p. 58
  Bryan Waterman, "Radio Crush," The Great Whatsit, February 13,
  I Love the Burbs, exhibition catalogue, Katonah Museum of Art, Katonah, New York, text by Ellen J. Keiter, curator, p. 30
  Howard Halle, "Java Consultant," Time Out New York, February 2-8, p.8
  Walter Robinson, "Starbucks Gets Artistc," Artnet News, January 14
 
2005 Roberta Smith, "Even a Little Space Can Hold an Abundance of Ideas," The New York Times, November 25
  Katharine Grayson, "Goldblatt'S Latest Line," Chicago Journal, December 28
  Charles Storch, "Goldblatt's Building Public Art Unveiled," The Chicago Tribune, December 9
  Kelly Devine Thomas, "What's in a name," Artnews, November
  Linda Yablonsky, "From Picket Signs to Creeping Vines," Artnews, Summer, p. 176
  Stephen Maine, "Exhibition Reviews: Lane Twitchell, Here and There," Art on Paper, May/June, p. 77
  Andy Grundberg, "'Loop': What Goes Around . . . At G Fine Art, a Show Marked by its Sound and Circular Reasoning," The Washington Post, March 20, p. N7
  Ken Johnson, "Lane Twitchell: Here & There," The New York Times, March 18
  Charlie Finch, "Lane Twitchell: Mad Money," artnet.com, March 18
  Martha Schwendener, "Lane Twitchell," The New Yorker, March 21
  Jerry Saltz, "System Overload," The Village Voice, February 25
  City Art: New York's Percent for Art Program, New York City Department of Cultural Affairs
2004 Jerry Saltz, "Blotto, Meet Buzzed," The Village Voice, May 11
  Jessica Dawson, "Man on a Mission: The Early Lane Twitchell," The Washington Post, April 1, p. C5
  Glenn Dixon, "Too Much is Never Enough," Washington City Paper, March 5, p. 48
  Blake Gopnik,"Oil's Coils and Mad Doilies," The Washington Post, March 6, p. C2
  Stacey Schmidt, "American Paradigms: David Opdyke and Lane Twitchell," Corcoran Gallery of Art exhibition pamphlet
  Brian Everson, "In Conversation: Lane Twitchell," The Brooklyn Rail, February
  Sheila Kim, "State of the Nation," Interior Design, January, p. 39
2003 Lennie Bennett, "Bits and Pieces," St. Petersberg Times, October 12
  Glen Nelson, Mona Lisas and Mad Hatters initial offering prospectus, Mormon Artists Group Press
  Review of Perforations at McKenzie Fine Art, The New Yorker, August
  N.F. Karlins, "Dotty," Artnet Magazine, July 7
2002 Cherrie K. Woodworth, "Landscape and the American West: the sacred the sublime and the suburbs" Sunstone, October
  Some Assembly Required: Collage Culture in Post-War America, exhibition catalogue, Everson Museum of Art, Syracuse, New York, essays by Thomas Piche Jr, Mark Alice Durant and Melissa Pearl Frielding
  "The Norman Dubrow Biennial," Frankfurter Allgemeine Zeitung, April 20
  John Blee, "The Georgetowner," Art Wrap, February 21
  Grace Glueck, "Art in Review: Lane Twitchell, Private Property," The New York Times, February 1
  "Come Together: The White Album" New York Magazine, January 23
  Lane Twitchell: Private Property, exhibition catalogue including interview with Jeanne Greenberg Rohatyn, Artemis Greenberg Van Doren Gallery, New York
  Dan Halm, "5 Visionaries," Visual Arts Journal, Winter Issue, p. 14-15
  Christian Viveros-Faune, "ART: Lane Twitchell," New York Press, Jan 23-29
  Kim Levin, "Voice Choices," The Village Voice, January 23
2001 Joanna Arettam, Spirit Maps, Red Wheel - Wiser Books
  "Art on Paper," Working Proof, January - February
2000 Franklin Sirmans, "FYI," Artists in the Marketplace, Fall Preview issue
  Holland Cotter, "A Showcase for Emerging Talent Nurtured Within the Same Environment," The New York Times, May 12
  Janet Koplos, "Lane Twitchell at Deitch Projects," Art in America, March Issue
  Word.com, "Everyday and Nowhere," January 10
1999 Jerry Saltz, "Where the Boys Are," The Village Voice, October 5
  Holland Cotter, "Margaret Killgallen and Lane Twitchell at Deitch Projects," The New York Times, October 1
  Simon Watson, "Simon Says: Collect," Artnet.com Magazine, September 24
  Christian Viveros-Faune, "Ecclesiastes Time," New York Press, September 22-28
  Kevin Conley, The New Yorker, September 22-28
  N.F. Karlins, "The Sandpaperers," Artnet.com Magazine, September 24
  Michael Squires, "Mormon Mandala," New York Resident, September 14
  Jeffery Hogrefe, "Mormon's Family Album: Pollock, Reagan, Steve Young," The New York Observer, September 13
  Jerry Saltz, "Hungry Hearts," The Village Voice September 8
  Simon Watson, "Simon Says," Meet The Artists Gallery Tour, September 18
  Rebecca Johnson, "Up Against a Wall," Vogue, Up Front Section, April issue
  "NY Arts," P.S.1 Studio Program; March issue
  "Simon Says," 1999, P.S.1 Studio Program, March 3
  The Prophet Puzzle, Bryan Waterman, editor; Signature Books; cover illustration
  Meredith Mendelsohn, "Armory Show 1999," Artnet, February 24
1998 Julie Canigila, "Sidewalk New York: Sidewalk Choice," Scape, November 20
  Kim Levin, "Voice Choices, Scape," Village Voice, November 18
  Roberta Smith, "Brooklyn Haven For Art Heats Up, The New York Times, November 6
  Bill Arning, "Summer White," Time Out New York, July 30 - August 6
  Meredith Mendelsohn, "Summer White," Artnet, July 28
  Ken Johnson, "Art Guide: Summer White," The New York Times, July 24
  Edith Newhall, "Cue, Summer White," New York, July 20
  Kim Levin, "Voice Choices: Scape," Village Voice, November 18
  John Engstrom and Jay Grimm, critical review, Scale: relatively speaking
  Jennifer Dalton, review, Scale: relatively speaking, February 15
  Ted Anthony, "Painting Suburbia," Associated Press international wire, January 1
1997 Dialogue, 12 Famous Mormons, artist statement with works illustrated, Winter Issue
  "Arts Insight with Andrew Guidone," September 9, Public Access Channels 9 & 12
  Bill Arning, "17th Annual Artist in the Marketplace Exhibition, Time Out New York, August 14-21
  Holland Cotter, "A Flock of Fledglings, Testing Their Wings," The New York Times, August 1
1995 "Sound in Print Illustration," Raygun, June

Commissions

2006 New York City Percent for Art Program for the Emergency Assistance Unit of the Department of Homeless Services in conjuction with Polshek Partnership Architects, Bronx, New York
2005 Starbucks Coffee Company Black Apron Exclusives packaging
2003 Chicago Public Art Program Commission
1999 New York City Percent for Art Program for P.S.161 Richmond Hills, Queens, New York

Awards & Residencies

2003 New York Foundation for the Arts, Craft Fellowship
2000 Residency, Wier Farm Trust, Wilton, Connecticut
1999 New York Foundation for the Arts, Drawing Fellowship
1998 Rema Hort Mann Foundation Grant
  P.S.1 National Studio Program
1986 Special Departmental Scholarship; University of Utah

Selected Collections

Art Bank Program, US State Department, Washington DC
The Baltimore Museum of Art, Baltimore MD
Calamos Securities, Chicago, IL
Corcoran Gallery of Art, Washington DC
The Goetz Collection, Munich, Germany
The Hort Collection, New York, NY
The Museum of Modern Art, New York, NY
The Neuberger Berman Collection, New York, NY
The Progressive Corporation, Mayfield, OH

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