Selected Group Exhibitions |
| 2008 |
Cutting Fine, Cutting Deep: Cut Paper Works from Switzerland and North America, Sewanee The University of the South, Sewanee, TN, |
|
| 2006 |
The Searchers, Whitebox, New York, NY, curated by Patrica Maloney |
|
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| Redefined: Modern and Contemporary Art from the Collection., Corcoran Gallery of Art, Washington D.C. curated by Johnathan Binstock |
|
|
| Drawings III (selected), G-Module, Paris, FR |
|
| |
Small Painting Show, organized by the General Store, Milwaukee, The Ulrich Museum, Wichita, KS |
|
| |
Loveless (the shoegazer show), Team, New York, NY |
|
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| I Love the Burbs, Katonah Museum of Art, Katonah, NY, curated by Eileen Keiter (catalogue) |
|
| 2005 |
The Early Show, organized by the General Store, Milwaukee, White Columns, New York, NY |
|
| |
One of a Kind, curated by Thomas Woodruff, New York Academy of Sciences, New York, NY |
| |
Group Loop, curated by Christoph Cox, G Fine Art, Washington DC |
| 2004 |
Beginning Here: 101 Ways, organized by Jerry Saltz, Visual Arts Gallery,
School of Visual Arts, New York, NY |
| 2003 |
Emerging 2003: ACRIA Benefit, Matthew Marks Gallery, New York, NY |
| |
Perforations, McKenzie Fine Art, New York, NY |
| |
Terrible Beauty, Satellite, a division of Roebling Hall, New York, NY |
| 2002 |
The Nature of the Beast, Caren Golden Gallery, New York, NY |
| |
Some Assemblage Required: Collage Culture in Post-War America,
Everson Museum of Art, Syracuse, New York; Madison Art Center,
Madison, WI; Polk Museum of Art, Lakeland, FL, curated by Thomas Piche (catalogue) |
| |
Snapshot, Elizabeth Leach Gallery, Portland, OR |
| |
Print Publisher's Spotlight: Solo Impression, Barbara Krakow Gallery,
Boston, MA |
| |
Past Tense: a contemporary dialogue, The Museum of Art, Brigham Young University, Provo, UT |
| |
The Order of Things, Teachers Insurance and Annuity Association College Retirement Equities Fund, New York, NY |
| |
The Norman Dubrow Biennial, Kagan Martos Gallery, New York, NY |
| |
On Architectural Atmosphere, G Fine Art, Washington, D.C. curated by Christoph Cox |
| 2001 |
It's a Party and We're Having a Great Time, Paul Morris Gallery, NY |
| |
New Prints 2001 - Winter, International Print Center, NY |
| 2000 |
Good Business is the Best Art: 20 Years in the Artist Marketplace Program, Bronx Museum of Art, New York, NY, curated by Lydia Yee (catalogue) |
| |
Faith-The Impact of Judeo-Christian Religion on Art at the Millennium, Aldrich Museum of Contemporary Art,
Ridgefield, CT, curated by Christian Eckart, Harry Philbrick, and Osvaldo Romberg (catalogue) |
| |
Annual Benefit, Foundation for Contemporary Performance Arts,
Matthew Marks Gallery, New York, NY |
| 1999 |
1999, P.S.1 Contemporary Art Center, Long Island City, NY, curated by Tony Gurrero |
| |
Cut Paper - Contemporary and Traditional, Elsa Mott Ives Gallery, New York, NY |
| 1998 |
Scape, Artists Space, New York, NY, curated by Jenelle Porter |
| |
Utopia, Roebling Hall, Brooklyn, NY |
| |
Summer White, (two person), Steffany Martz Gallery, New York, NY |
| |
Scale: Relatively Speaking, Art in General, New York, NY |
| |
Take this Job and Shove it, Here, New York, NY |
| |
Reading Between the Lines, Library Section, Rotunda Gallery, Brooklyn, NY |
| 1997 |
17th Annual Artists in the Marketplace Exhibition, Bronx Museum, NY, curated by Lydia Yee |
| 1994 |
MFA Exhibition, School of the Visual Arts, New York, NY |
| 1992 |
Intercollegiate Exhibition, Salt Lake City, UT; first place drawing, Dave Hickey, juror |
Bibliography |
| 2008 |
Karen Rosenberg, The New York Times,Art in Review, April 4 |
| |
Charlie Finch, "Betwitched" Artnet Magazine, March 19 |
| |
| 2007 |
Toby Devan Lewis, ArtWorks: The Progressive Collection, Published by D.A.P./The Progressive Collection, p. 232 |
| |
Chris Bors, "Lane Twitchell's Mementos from Basquiat's Grave" Artinfo.com, November 13 |
| |
Arthur Whitman, "review of Revelation: Lane Twitchell, Drawing and Painting" Ithaca Times, September 27 |
| |
Thomas Piche Jr., "Making' Meanings in the Paintings of Lane Twitchell," Schweinfurth Memorial Art Center, exhibition catalogue, |
| |
Merideth Mendelsohn, "Paper Pushers," Artnews, May,p. 146 |
| |
| 2006 |
Emily Lodish, "A Closer Look at Lane Twitchell's Mountain Meadows Mysteries or the Evening Redness in the West," Unsaid, volume 2 number 1, p. 147 |
| |
Ruth Lopez, "Art of the Office Building," Time Out Chicago, January 5-12, p. 58 |
| |
Bryan Waterman, "Radio Crush," The Great Whatsit, February 13, |
| |
I Love the Burbs, exhibition catalogue, Katonah Museum of Art, Katonah, New York, text by Ellen J. Keiter, curator, p. 30 |
| |
Howard Halle, "Java Consultant," Time Out New York, February 2-8, p.8 |
| |
Walter Robinson, "Starbucks Gets Artistc," Artnet News, January 14 |
| |
| 2005 |
Roberta Smith, "Even a Little Space Can Hold an Abundance of Ideas," The New York Times, November 25 |
| |
Katharine Grayson, "Goldblatt'S Latest Line," Chicago Journal, December 28 |
| |
Charles Storch, "Goldblatt's Building Public Art Unveiled," The Chicago Tribune, December 9 |
| |
Kelly Devine Thomas, "What's in a name," Artnews, November |
| |
Linda Yablonsky, "From Picket Signs to Creeping Vines," Artnews, Summer, p. 176 |
| |
Stephen Maine, "Exhibition Reviews: Lane Twitchell, Here and There," Art on Paper, May/June, p. 77 |
| |
Andy Grundberg, "'Loop': What Goes Around . . . At G Fine Art, a Show Marked by its Sound and Circular Reasoning," The Washington Post, March 20, p. N7 |
| |
Ken Johnson, "Lane Twitchell: Here & There," The New York Times, March 18 |
| |
Charlie Finch, "Lane Twitchell: Mad Money," artnet.com, March 18 |
| |
Martha Schwendener, "Lane Twitchell," The New Yorker, March 21 |
| |
Jerry Saltz, "System Overload," The Village Voice, February 25 |
|
City Art: New York's Percent for Art Program, New York City Department of Cultural Affairs |
| 2004 |
Jerry Saltz, "Blotto, Meet Buzzed," The Village Voice, May 11 |
|
Jessica Dawson, "Man on a Mission: The Early Lane Twitchell," The Washington Post, April 1, p. C5 |
| |
Glenn Dixon, "Too Much is Never Enough," Washington City Paper, March 5, p. 48 |
| |
Blake Gopnik,"Oil's Coils and Mad Doilies," The Washington Post, March 6, p. C2 |
| |
Stacey Schmidt, "American Paradigms: David Opdyke and Lane Twitchell," Corcoran Gallery of Art exhibition pamphlet |
| |
Brian Everson, "In Conversation: Lane Twitchell," The Brooklyn Rail, February |
| |
Sheila Kim, "State of the Nation," Interior Design, January, p. 39 |
| 2003 |
Lennie Bennett, "Bits and Pieces," St. Petersberg Times, October 12 |
| |
Glen Nelson, Mona Lisas and Mad Hatters initial offering prospectus, Mormon Artists Group Press |
| |
Review of Perforations at McKenzie Fine Art, The New Yorker, August |
| |
N.F. Karlins, "Dotty," Artnet Magazine, July 7 |
| 2002 |
Cherrie K. Woodworth, "Landscape and the American West: the sacred the sublime and the suburbs" Sunstone, October |
| |
Some Assembly Required: Collage Culture in Post-War America, exhibition catalogue, Everson Museum of Art, Syracuse, New York, essays by Thomas Piche Jr, Mark Alice Durant and Melissa Pearl Frielding |
| |
"The Norman Dubrow Biennial," Frankfurter Allgemeine Zeitung, April 20 |
| |
John Blee, "The Georgetowner," Art Wrap, February 21 |
| |
Grace Glueck, "Art in Review: Lane Twitchell, Private Property," The New York Times, February 1 |
| |
"Come Together: The White Album" New York Magazine, January 23 |
| |
Lane Twitchell: Private Property, exhibition catalogue including interview with Jeanne Greenberg Rohatyn, Artemis Greenberg Van Doren Gallery, New York |
| |
Dan Halm, "5 Visionaries," Visual Arts Journal, Winter Issue, p. 14-15 |
| |
Christian Viveros-Faune, "ART: Lane Twitchell," New York Press, Jan 23-29 |
| |
Kim Levin, "Voice Choices," The Village Voice, January 23 |
| 2001 |
Joanna Arettam, Spirit Maps, Red Wheel - Wiser Books |
| |
"Art on Paper," Working Proof, January - February |
| 2000 |
Franklin Sirmans, "FYI," Artists in the Marketplace, Fall Preview issue |
| |
Holland Cotter, "A Showcase for Emerging Talent Nurtured Within the Same Environment," The New York Times, May 12 |
| |
Janet Koplos, "Lane Twitchell at Deitch Projects," Art in America, March Issue |
| |
Word.com, "Everyday and Nowhere," January 10 |
| 1999 |
Jerry Saltz, "Where the Boys Are," The Village Voice, October 5 |
| |
Holland Cotter, "Margaret Killgallen and Lane Twitchell at Deitch Projects," The New York Times, October 1 |
| |
Simon Watson, "Simon Says: Collect," Artnet.com Magazine, September 24 |
| |
Christian Viveros-Faune, "Ecclesiastes Time," New York Press, September 22-28 |
| |
Kevin Conley, The New Yorker, September 22-28 |
| |
N.F. Karlins, "The Sandpaperers," Artnet.com Magazine, September 24 |
| |
Michael Squires, "Mormon Mandala," New York Resident, September 14 |
| |
Jeffery Hogrefe, "Mormon's Family Album: Pollock, Reagan, Steve Young," The New York Observer, September 13 |
| |
Jerry Saltz, "Hungry Hearts," The Village Voice September 8 |
| |
Simon Watson, "Simon Says," Meet The Artists Gallery Tour, September 18 |
| |
Rebecca Johnson, "Up Against a Wall," Vogue, Up Front Section, April issue |
| |
"NY Arts," P.S.1 Studio Program; March issue |
| |
"Simon Says," 1999, P.S.1 Studio Program, March 3 |
| |
The Prophet Puzzle, Bryan Waterman, editor; Signature Books; cover illustration |
| |
Meredith Mendelsohn, "Armory Show 1999," Artnet, February 24 |
| 1998 |
Julie Canigila, "Sidewalk New York: Sidewalk Choice," Scape, November 20 |
| |
Kim Levin, "Voice Choices, Scape," Village Voice, November 18 |
| |
Roberta Smith, "Brooklyn Haven For Art Heats Up, The New York Times, November 6 |
| |
Bill Arning, "Summer White," Time Out New York, July 30 - August 6 |
| |
Meredith Mendelsohn, "Summer White," Artnet, July 28 |
| |
Ken Johnson, "Art Guide: Summer White," The New York Times, July 24 |
| |
Edith Newhall, "Cue, Summer White," New York, July 20 |
| |
Kim Levin, "Voice Choices: Scape," Village Voice, November 18 |
| |
John Engstrom and Jay Grimm, critical review, Scale: relatively speaking |
| |
Jennifer Dalton, review, Scale: relatively speaking, February 15 |
| |
Ted Anthony, "Painting Suburbia," Associated Press international wire, January 1 |
| 1997 |
Dialogue, 12 Famous Mormons, artist statement with works illustrated, Winter Issue |
| |
"Arts Insight with Andrew Guidone," September 9, Public Access Channels 9 & 12 |
| |
Bill Arning, "17th Annual Artist in the Marketplace Exhibition, Time Out New York, August 14-21 |
| |
Holland Cotter, "A Flock of Fledglings, Testing Their Wings," The New York Times, August 1 |
| 1995 |
"Sound in Print Illustration," Raygun, June |
